Introduction to Delta Pieces: Northeast Louisiana Folklife
Map: Cultural Micro-Regions of the Delta, Northeast Louisiana
![A map of the cultures of Northeast Louisiana, drawn by anthropologist H. F. “Pete” Gregory, shows the Delta sub-regions of plantations, yeoman farmers, and fishing.](../../siteimages/info.png)
The Louisiana Delta: Land of Rivers
![An anthropology professor and Delta native recalls over 100 years of Louisiana history and culture recorded during a personal interview about his life and the lives of his ancestors. Having grown up in various towns along the Black River and Mississippi Delta, Pete Gregory's stories illustrate the cultural landscape. Telling tales of sharecroppers, hill folk, swamp dwellers, tent towns, fishing communities, race relations, and the perseverance of this unique way of life, Gregory's accounts represent the Delta experience, and conclude that, even today, the Delta remains a strange and wonderful place.](../../siteimages/info.png)
![In one of his 11 reflections, a native son explores the importance of the Mississippi River to the region of the Northeast Louisiana Delta from its geography to its identity. The transformations wrought by the newer levees, the leveling of the land to plant soybeans, and the new catfish farms have made the Delta a different place, yet many traditions continue such as the naming of river terms and commercial fishing.](../../siteimages/info.png)
![In one of his 11 reflections, a native son explores the historical influence of early French settlers in the Northeast Louisiana Delta in family names, foodways, and architecture.](../../siteimages/info.png)
![In one of his 11 reflections, a native son describes the small farm homesteads in the Northeast Louisiana Delta which were referred to as family 'places' in the hills and backswamps. Many of these places have been purchased by corporate farms.](../../siteimages/info.png)
![A native son reflects on the changing landscape and culture of the Delta in northeast Louisiana in one of his 11 reflections, describing the effects of the oil and later soybean and corn industries on the native forested wetland and its wildlife and people.](../../siteimages/info.png)
![In northeastern Louisiana, hunters-and-gatherers established a tradition of mound building that began five millennia ago. The earthworks they built are striking evidence of Louisiana's earliest residents and a testimony to the complexity of an ancient culture that remains largely a mystery. Mound construction was widespread by 3000 BC in northern and southern Louisiana as well as Mississippi and Florida. Research on the Watson Brake mound complexes prove these earthworks predate those at Poverty Point in West Carroll Parish, while also providing new information on the lives of Middle Archaic hunter-gatherers.](../../siteimages/info.png)
![While Native Americans and Spanish explorers preceded French settlement in Louisiana, a lasting influence of the French is demonstrated by names given to waterways and landforms still used today. Using streams and bayous as modes of transportation, early French settlers were hunters, gatherers, harvesters, and fur trappers with close ties to the land. Most of the names of waterways and geographic features in Louisiana fall under two categories: French surnames or French words used to describe natural features, and variations of these can be seen throughout the state.](../../siteimages/info.png)
![The history of the 1927 Mississippi River Flood and Great Depression shows the struggles endured by residents as a result of these events, as well as the resilience with which they responded. Preparation, rescue operations and recovery efforts toward the 1927 Flood are described. For some constructing flood protection provided escape from the Great Depression. Others coped with their circumstances through hard work and determination. These two disasters not only influenced the lives of survivors, but influenced future generations.](../../siteimages/info.png)
Ethnic Groups
![In one of his 11 reflections, a native son explores the influence of Native Americans, both past and present, in the Northeast Louisiana Delta and their folk traditions. Mounds and artifacts provide evidence of past Native Americans, while some contemporary tribes, including the Choctaw and Tunica remain in the Delta and carry on their traditions.](../../siteimages/info.png)
![In one of his 11 reflections, a native son explores the prevalence of archaic Indian mounds in the Northeast Louisiana Delta and how early settlers and present residents regarded and used (or abused) them.](../../siteimages/info.png)
![Louisiana and Mississippi Choctaw have overcome a history of relocation and population decline to emerge as a growing tribe that is thriving economically and adapting to surrounding culture, while preserving traditions of language, dance, basketry, clothing, and sports.](../../siteimages/info.png)
![Formerly considered an invisible culture, the migratory workers and permanent residents from Mexico and Central America have inspired cultural changes visible in the availability of Hispanic food, medicine, and music in Louisiana. Migratory work, such as agriculture, construction, and the oil industry are also discussed. The Hispanic population trend and accompanying cultural changes are expected to increase and continue in Louisiana.](../../siteimages/info.png)
![Interviews of second-generation Italians in Monroe, Louisiana, reveal a tight-knit community maintaining ethnic traditions despite pressures to assimilate to mainstream American culture. Attracted by the prospect of new opportunity, they began as farmers, applying their earnings and strong work ethic toward establishing businesses and formed bonds through social clubs. Second-generation storytellers recall struggling with their “Italian-ness” during their youth; however, as adults, some returned to their roots, and practiced customs such as foodways and the St. Joseph's Day altar.](../../siteimages/info.png)
![M. J. Varino, took over his father's Rainbow Grocery, one of the first Italian grocery stores in Monroe, and ran it until his retirement in 2000. In the high-ceiling, old style grocery, he made around a hundred pounds twice a week of his specialty item, Italian sausage. Made with a recipe from his friend, Father Sam Pollacia, the pork and beef link sausage containing tomato juice and spices was a community favorite for holidays.](../../siteimages/info.png)
![The history, origins, and evolution of the St. Joseph's Day altar tradition, a long-practiced Catholic event predominantly celebrated by Italians and Sicilians is presented along with detailed descriptions of the complex work involved in preparing the altar. Recipes and baking procedures for Italian foods associated with the tradition, such as spinges, biscotti, St. Joseph's bread, fish dishes, and spaghetti are featured along with photographs of these preparations performed by the Men's Club and Altar Society of St. Joseph's Church in Monroe, Louisiana.](../../siteimages/info.png)
![Of Sicilian descent, Guy Serio gives oral history about running his grocery in Ferriday, Louisiana, where he observed the hardships of Italian farmers in the Delta.](../../siteimages/info.png)
![Qin Lin, of Ferriday, Louisiana, practices Chinese paper crafts using folded paper and glue. When she finds the time during her work in the family Chinese restaurant, she makes intricate colorful animal figures and other objects from magazine pages and colored paper. Her repertoire which she displays in the restaurant, includes horses, frogs, birds, fish, pineapples, and other Chinese symbols of good luck for the New Year.](../../siteimages/info.png)
![While the practice of Judaism in America does not vary significantly, cultural variations are revealed through accounts of Jewish life in northeast Louisiana. An example is southern variations on matzoh balls, being served outside of the Passover holiday and in gravy as opposed to soup. Interviews with Jewish residents detail prejudice they experienced. Outward migration of younger Jewish generations compounds their struggle to maintain Jewish identity. This raises questions about the future of Judaism in north Louisiana and highlights the need to further document Jewish folklore within the region.](../../siteimages/info.png)
Working in the Delta
![The Mississippi's floodplain produces rich resources which residents of the rural Delta have historically used to develop river-related livelihoods and traditions. Occupations such as cotton farming, commercial fishing, crop dusting and riverboat work are described along with the folklore that accompanies these professions. The occupational folklife of Delta exhibits a complex of techniques, customs, and modes of expressive behavior. While the landscape is changing and associated occupational crafts are fading, the risks and rewards of working in the Delta remain.](../../siteimages/info.png)
![Net making, a specialized skill predominantly practiced by women and passed down through generations, both preserves the fishing traditions of Catahoula Lake and surrounding areas and provides necessary tools for the fishing industry. The struggles and rewards experienced by Louisiana fishing families are discussed with highlights of the adaptations they employ to make ends meet. Methods of net making and maintenance are presented for trammel nets, hoops nets, seine nets, and baiting nets. Special focus is placed on the Champlin Net Company in Jonesville, Louisiana.](../../siteimages/info.png)
![Despite a sometimes ambivalent public opinion toward the profession, cropdusting provides the important service of protecting farmers and their crops. Pilots teach each other how to handle dangers associated with the job, and the lifestyle surrounding cropdusting provides a wealth of occupational folklore in the form of stories, jokes, and jargon. Anecdotes of Delta dusters are presented, illustrating their role as a professional one with pressures, requiring courage, caution, and safety, but also one that provides thrills, laughs, and fulfillment to the pilots taking on these risks.](../../siteimages/info.png)
![Historical and contemporary accounts offer evidence that folk traditions inspired by life in occupations involved with the Mississippi River survive. Examples of the these traditions range from jargon inspired by barge and steamboat industries, to stories of a steamboat musician known for playing five instruments at once. The oral history of the past is as valuable as new forms of these traditions. For example, today's steamboats carry tourists up the Mississippi to view Christmas Eve bon fires along the river.](../../siteimages/info.png)
![Extensive waterways and forests support a strong tradition of boat building with boat builders specializing in small crafts suited for different environments. Examples of several types of boats used by fishermen and trappers in Catahoula Lake, ranging from the dugout canoe to houseboats, are offered along with traditional methods of construction. The advent of metal boats, a changing ecosystem, and the death of boat makers who are experts in their craft threaten the future of wooden boats and the long-standing boating tradition of Catahoula Lake in LaSalle Parish.](../../siteimages/info.png)
![In one of his 11 reflections, a native son reflects on the types of traditional boats used to deal with the vast wetlands of the Delta. With the rise of sawmills, dugouts were replaced by bateaus, which were replaced with aluminum bateaus. Skiffs and houseboats, also common on the river, evolved with technology.](../../siteimages/info.png)
![The story of Carl (C. J.) Girlinghouse and his rolling store set in mid-20th century, rural Louisiana illustrates the struggles of a small business man in changing times. His store, The Blue Goose, is recalled affectionately, having been the supplier of essentials to families of remote farming villages in the Delta. He provided vital supplies at low cost, a reality that contributed to the loss of his business along with modernizations such as highways and food commodity programs. The rolling store is now a storage shed and serves as a reminder of rural farm life.](../../siteimages/info.png)
![The life and occupational lore of Mississippi River commercial fisherman and fish market operator Whitey Shockley of Lake Providence, Louisiana show that expertise and luck are important in this traditional occupation.](../../siteimages/info.png)
Homemaking in the Delta
![Much of social life in the rural Southern Delta is centered around the home and outdoor space. Homemaking in these regions defies generational, race, and class lines, as women of all backgrounds retain similar practices, cultivating outdoor gardens as sources of food and social space. Southern cooking traditions and the function, construction, and decoration of gardens as an extension of Southern life are highlighted through historical and contemporary accounts.](../../siteimages/info.png)
![Maye Torrey of Columbia, Louisiana, recalls her family's folk tradition of making jelly from wild fruit such as mayhaws, muscadines, dewberries, and blackberries and also the apples and peaches they grew. She continues the tradition today, but uses commercial pectin.](../../siteimages/info.png)
![Hazel Dailey of Columbia, Louisiana, learned a variety of folk traditions growing up in the Delta: whittling, canning, embroidery, and lye soap making, which she demonstrated at the Martin Homeplace Folk Center and Museum in Columbia.](../../siteimages/info.png)
![A native son reflects on past family Christmas traditions in the Northeast Louisiana Delta in one of his 11 reflections. He reports decorating local pine or cedar Christmas trees with haw berries, Spanish moss, and paper chains with Delta cotton as snow, sharpening knives on Christmas day, cooking loads of traditional Southern dishes, typical gift giving, and a community dance.](../../siteimages/info.png)
Worshiping in the Delta
![An analysis of oratory, music, and ritual religious traditions, as well as sacred spaces reveals the commonalities and differences between Anglo and African American worship in the Delta region. Examples of preaching styles such as call-and-response, singing styles including gospel and spirituals, and shaped-note, and ritual practices such as river baptisms and the Easter Rock ceremony are offered along with historical explanations for their origins. These worship traditions, shaped by a collective and selective memory, relive the past while providing shared values for the future.](../../siteimages/info.png)
![A detailed account of the African American Baptist ritual of outdoor river baptism kept alive in rural Louisiana is presented. Religious traditions proceeding, during and after the three stages of baptism rites are described, including the preparation of handmade baptismal robes, reading scripture, delivering sermons, singing hymns, and symbolic immersion in the river. Baptismal locations often remain in the same spot, and the river baptism ritual has been passed down through generations, ensuring the preservation of African American heritage and Baptist religious traditions.](../../siteimages/info.png)
![Lucille Stewart of Monroe, Louisiana, who grew up in Richland Parish, learned to sew from her mother and made the traditional baptism robes worn for the outdoor baptisms which were common in rural Delta African American Baptist churches. The construction process from sizing to cutting a paper pattern, sewing, and fitting are presented.](../../siteimages/info.png)
Making Music in the Delta
![Examining the historical evolution of blues music, beginning with outsider accounts in the early 20th century and ending in contemporary times, shows the Delta region to be one of America's musical fertile crescents. Contributions of musical styles ranging from gospel to rockabilly, musicians from Memphis Slim to Aretha Franklin, musical arenas such as juke joints and casinos, recording studios such as Sun Record Company in Memphis, and social traditions of the Delta serve as a comprehensive illustration of the origins, influences, migration and evolution of blues music.](../../siteimages/info.png)
![Po' Henry and Tookie, the stage names of Henry Dorsey and Wayne 'Tookie' Collum, play older acoustic Delta blues guitar and harmonica. Their common backgrounds of working in cotton farming, their meeting and formation of their group, their repertoire, and performance styles reveal the strength of this powerful duo.](../../siteimages/info.png)
![The career of Thomas Edison 'Brownie' Ford, included death defying rodeo performer, woods cowboy, traveling circus clown, and legendary musician. Ford, of Comanche and British decent, got the name “Brownie” from white playmates when he was growing up in Oklahoma. His dual ancestry made him an outsider to both cultures. Ford traveled for 86 years across Texas, Louisiana, and Oklahoma as a showman whose talents ranged from escape artist to pitchman for medicine shows. He spent the end of his career touring as a musician, gaining recognition for his ballads and honky-tonk songs.](../../siteimages/info.png)
![Guitarist and rockabilly pianist, Kenny Bill Stinson, of West Monroe, Louisiana, plays regional music ranging from blues to rock 'n' roll to rockabilly and country. His musical roots and influences, multi-instrument expertise, songwriting, and hard driving performance make him one of the most versatile traditional performers in the Delta.](../../siteimages/info.png)
Playing in the Delta
![In one of 11 reflections, a native son reflects on the importance of the pastimes of hunting and fishing in Delta culture. Hunting traditions for Delta boys begin early, and hunting and fishing tales abound, as do today's hunting camps.](../../siteimages/info.png)
![In one of his 11 reflections, a native son explores aspects of gigging before it was outlawed in the Northeast Louisiana Delta. An efficient way of fishing, gigs (or harpoons) were adapted for various fish such as buffalo, carp, or gar, as well as frogs.](../../siteimages/info.png)
![James LeCroix of Harrisonburg in Catahoula Parish, Louisiana, discusses how he makes and uses hunting horns and the role of deer camps in hunting.](../../siteimages/info.png)
![Moses Poole of Aimwell, Louisiana, in Catahoula Parish, breeds, trains, and hunts with Walker hounds in a fox hunting tradition that differs considerably from the formal English style of hunting. The breeds, the tradition of listening to the dogs on the hunt, and the challenges of the sport explain its attraction.](../../siteimages/info.png)
![Nalda Gilmore, of West Monroe, made traditional hunting horns to use when hunting coons and rabbits with his Beagles. His techniques and the aesthetics of horn making and blowing, along with the development of other horn crafts are explored.](../../siteimages/info.png)
![Thanks to cash from the occupations of soybean farming and commercial fishing, a strong gambling tradition lasted into the 1970s in hunting camps, country stores, and package liquor stores. A collection of vibrant folk narratives told by Louisiana gamblers recounts the language, stories and customs of Delta gambling.](../../siteimages/info.png)
![In one of his 11 reflections, a native son describes nightclubs in Northeast Louisiana Delta communities from the 1930s-1940s and into the 1950s. Clustered around Mississippi River bridges, clubs featured Black bands and later the white big bands. In the Black areas of towns, Black clubs, the largest being Haney's Big House, also offered major entertainment. By the 1950s roadside bars and dance halls brought in country music and violence.](../../siteimages/info.png)
Telling Stories in the Delta
![Deer hunting, an important part of Louisiana life, involves folk traditions that are integral to the experience. An essential tradition for generations, hunters tell stories of encountering the “big one”. These fantastical accounts of big buck sightings are presented along with description of Louisiana deer hunting.](../../siteimages/info.png)
![A historical account of the Natchez Massacre and events that followed offers an alternative theory toward the Hub Lake Gold legend, disputing the location and very existence of the supposed treasure. The Natchez likely exchanged any valuables for their survival, eliminating the probability of a gold treasure. However, sacred relics deemed important to the Natchez may have been thrown into a lake to prevent desecration by enemies. This alternative theory, coupled with differing historical accounts of the treasure's location, serves as a possible explanation for this enduring legend.](../../siteimages/info.png)
![The origin of the names Colewa Creek, Big Colewa Bayou and Little Colewa Bayou in West Carroll Parish has long been a subject for speculation. A theory connecting the name Colewa with the mispronunciation of Koroa, a tribe known to have inhabited this area, is presented along with a claim that although extinct, the Koroa Indians left a permanent mark on Louisiana through the use of this name which appeared on maps as early as 1838.](../../siteimages/info.png)
Delta Archival Materials
Bibliography
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![A detailed account of the African American Baptist ritual of outdoor river baptism kept alive in rural Louisiana is presented. Religious traditions proceeding, during and after the three stages of baptism rites are described, including the preparation of handmade baptismal robes, reading scripture, delivering sermons, singing hymns, and symbolic immersion in the river. Baptismal locations often remain in the same spot, and the river baptism ritual has been passed down through generations, ensuring the preservation of African American heritage and Baptist religious traditions. <br><em>Contains photos.</em>](../../siteimages/iconinfo.gif)
"Take Me to the Water": African American River Baptism
By Annie Staten and Susan Roach
In the Louisiana Delta region, lying between the Ouachita and Mississippi Rivers, African American Baptists still occasionally perform their sacred ritual of outdoor baptisms in rivers, bayous, and lakes. As late as the 1950s, outdoor baptism was common in both black and white Protestant churches in rural North Louisiana. Even though the majority of urban and modernized rural churches have indoor baptismal pools, some African American urban, along with older churches without indoor facilities, have chosen to maintain the earlier, natural setting for this important rite of passage, a symbolic ritual purification and initiation.
One such pastor, Rev. L. D. Oliver, of the St. Paul Baptist Church in Monroe, has reminded many area younger ministers about their heritage of river baptism, following the Biblical example of Christ's baptism in the Jordan River by John the Baptist, and has urged them to preserve this tradition. Consequently, for the past three years, Rev. Oliver and Rev. Roosevelt Wright, pastor of the Tabernacle Baptist Church, have gathered their congregations together for river baptism. For many years, the river baptizing was held by Rev. Oliver about once every five years, in order to keep the river ritual alive in the memories of children, but interest in preserving the heritage appears to have strengthened the frequency of the performance.
Baptisms were generally held during the summer or early fall so the water would be warm enough. Outdoor baptismal locations tend to be used traditionally in a community, with various churches using the same spot for generations. Churches in Rayville and Alto still go to the Beouf River, and in Lake Providence, the selected lake spot is near the Soldier's Rest historical marker-the area where General Grant's Civil War Black Union troops camped during their attempt to dig a canal to the Mississippi. In Monroe, the Ouachita River at the foot of Pine Street has been used for several generations and called by older community members "the old burying ground," an apt name for the ritual of baptism in which the candidate is symbolically buried in Christ, where sins are washed away, and one is raised up to "walk in newness of life." Usually the outdoor baptism follows the African American Baptist churches' annual revivals, which in the past in the plantation churches lasted two weeks. After a first week of prayer meetings, the second week featured preaching by the pastor or guest minister whose goal was to draw sinners to God. Today the revivals may last only a week. But still today those who accept God become waiting candidates for baptism. African American baptism follows the ritual model developed by anthropologist Arnold Van Gennep, who outlined three stages of such rites: (1) separation, where the initiates are dressed in ritual dress and set apart from the rest of the group; (2) transition or liminal, where they are between states; and (3) incorporation, where they are integrated into the group.
In preparation for the baptism, the "Mothers of the Church" must make or otherwise obtain the traditional robes to fit each candidate, although some churches such as St. Joe and St. Luke Baptist Churches may not use robes for the candidates. The actual design of the long flowing cotton gowns with long sleeves may vary slightly with the community, but most of them are sewn on machines from handed-down, traditional patterns cut from newspaper. Monroe churches' gowns have two narrow, torn strips of fabric tied around the gown-one around the waist and another below the knees, which function to keep the robe in place over the legs. Some believe that these ties represent the bonds of sin, and that after baptism, their removal signifies the freedom from sin and rebirth. Also headgear may vary; in some groups such as those in Lake Providence, a full hat resembling a small chef's hat is worn instead of a wide band over the forehead. Just before the service begins, the mothers help the candidates put on the robes usually over old clothes. The baptismal candidates are lined up, youngest first, by the church mothers. Before the baptisms actually begin, one or more of the church deacons wade out into the water with stakes to poke the water bottom for a safe spot where the water is not too deep, nor the bottom too boggy or dangerous; usually about waist-deep on a man is considered to be safe. After the safe location has been determined, the deacons push the three stakes into the river bottom, forming a safe arc for the ritual. While some churches do not use three stakes, others such as the Monroe churches do, which according to Rev. Roosevelt Wright, Jr., symbolize the Father, Son, and Holy Ghost.
When the stakes are in place, and members of the church congregation have gathered in excitement on the bank to witness the baptizing of a loved one, the service begins with the deacons leading the devotional consisting of singing of Dr. Watts hymns, scripture reading, and prayer.
The candidates are led to the water by two deacons while the minister (or ministers, if more than one congregation) assisted by deacons wade into the water while the congregation sings. The minister begins his part of the ritual by giving the meaning of baptism. Rev. L. D. Oliver began his September 1994 sermon with the following remarks: "We gather here on this old river here that drifts into the sea, because we have come back here. Things may have changed uptown; banks may have gone out; shopping centers may have closed, but this old river just keep on. So we thought the church would come back here and tell the Lord, we thank Him for this old river." Often the minister will refer to Biblical scripture that directs their ritual; the third chapter of Matthew, which tells the story of John the Baptist is a favorite.
After the opening sermon, the candidates are then escorted to the minister one by one. The minister folds the candidate's hands in prayer, and covers the candidate's face. As he baptizes each one, the minister repeats a ritual statement, which may vary with ministers: "I baptize this little sister [or brother and gives name] in the name of the Father, the Son, and the Holy Ghost on the belief of their faith," or "In obedience to the command of God, I baptize [gives name] in the name of the Father, in the name of the Son, in the name of the Holy Ghost." The candidate is immersed in the water. As each candidate is brought up out of the water, the congregation applauds and sings refrains from favorite baptismal songs such as "Take me to the Water," "I know I've Got Religion," and Dr. Watts hymns and moans. The services are generally spirit-filled, with many of the congregation becoming overwhelmed, singing, shouting praises, and shedding tears of joy as they watch their children being baptized.
When the baptized come out of the water, they are gathered up into waiting arms and covered in large sheets and towels to protect them from the air and then whisked away to dress, often in white Sunday clothes, behind sheet curtains up the riverbank; then they are brought back to witness the remaining baptisms. Between candidates, the minister will frequently give a short sermon, and often after the last candidate, the minister may go into a longer sermon. If more than one minister is participating, they may take turns. The ceremony closes with all the ministers and deacons walking back to the water's edge, where they hold hands in a closing prayer. The service usually ends with joyful singing in celebration of the new converts.
Frequently, the baptism is followed by a gathering at the church building for fellowship, the final incorporation stage of the rite. Upon returning to the church, the converts may still wear a white bandanna or handkerchief on their heads until they are fellowshipped into the church. In the past, it was typical for the pastor to read the church covenant and explain it to them and then present them as full, pledged members of the church. The shaking of the candidates' hands begun by the pastor, then followed by the deacons and the congregation, symbolizes that they are indeed members of the church, and the head gear is removed. Today several churches offer the converts "new-member" classes, after which they are integrated into the congregation in the final incorporation phase of the ritual. The location of the baptism, indoors or outdoors, does not change the deep religious symbolism of the ritual through which the promise is made that the "righteous shall see God." Locked in the memories of many African Americans is their inspiring experience of river baptism. By continuing this ritual, churches are ensuring that future generations will have the opportunity to share that glorious memory.